Tag Archives: translation

Everyday Islam–Soviet Anthropologist on Central Asia

Our principal reading material is fiction, with some creative (or occasionally uncreative) nonfiction thrown in to keep us feeling responsible and informed. Everday Islam is more of a reference book than “literature,” but we read it (individually) because it concerns one of our other significant interests–Central Asia, and more specifically, Tajikistan.

Everyday Islam is of interest in part because it represents the very Soviet views of a Communist Party member writing just after the breakup of the Soviet Union. Most books that get translated into English seem to reinforce our own perspective; it is from the dissidents of, for example, China, the former USSR, or Iran that we hear most often in the English-speaking world. Continue reading

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Tajik Folklorist’s Memoirs–Translation in Progress

Stories from the Land of Springs (Dushanbe, 1996) is the memoir of one of Tajikistan’s most prominent 20th-century folklorists. Rajab Amonov (1923-2002) describes his boyhood in the northern Tajikistan city of Uro Teppa. The book’s attraction lies in its both cultural and historic value. As a folklorist, Amonov details cultural practices still observable in many parts of Tajikistan. Written in the late 20th century, the account also discloses Amonov’s perspective on the changes that took place during the early years of the Soviet Union. Furthermore, Amonov knew the value of story, so his descriptions are couched in engaging narratives.

Click here to read the rest on the Birds’ Words blog: Translation in Progress

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The Winter Queen and The Turkish Gambit

My husband and I read The Turkish Gambit (by Boris Akunin, trans. Andrew Bromfield) either early last year or the year before–it’s a bit fuzzy in my memory. This is at least in part because I had difficulty following the plot, though it may have been unremarkable for other reasons, too. The translation style adopted by Bromfield, who has translated all the Akunin novels currently available in English, is quite smooth; it would be easy to read the books without realizing they are translated. Only a humorous reference to “American Roulette” in the beginning of The Winter Queen betrays the book’s Russian origins. Perhaps Bromfield’s aim was to present English-speaking readers with a good intrigue rather than a markedly Russian novel. This might be more appropriate with Akunin than with, say, The Master and Margarita, which Bromfield has also translated. (I have read the book, but not Akunin’s translation.) I would be interested in hearing from Russian readers of the original text of Akunin’s novels. Continue reading

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