I discovered this book shortly after its publication in 2017. My ninety-year-old mother-in-law had developed fairly advanced dementia. But her lifelong appreciation for books, cartography, history, exploration, and the art of illustration had not failed her. The fortuitous coincidence of all those elements allowed us to ramble through these pages together on multiple occasions with some semblance of former camaraderie.
Arranged alphabetically by the names of the explorers, this visually stunning book represents a wealth of information and artistry, not to mention a herculean task of compilation. As the title indicates, it represents excerpts from the sketchbooks of more than seventy explorers and documenters of the natural world. Some names are familiar—John James Audubon, Meriwether Lewis, Carl Linnaeus, David Livingstone—most much less so. Most are men; a little more than a tenth are women.
Ella Christie, identified on the title page of her books as a Fellow of the Royal Scottish Geographical Society and a Fellow of the Society of Antiquaries of Scotland, traveled in Central Asia in 1910-11. The most attractive aspect of her book, for me, were her notes on daily life, such as a rather gruesome description of an outdoor barber extracting a long parasitic worm from a patient’s leg. Christie identifies the parasite as “guinea worm” or “filaria” (p. 128). Other sources corroborate her account of this reportedly common affliction, as well as the treatment.
Christie’s visit to present-day Istaravshan, formerly Uro Teppa (Christie calls it “Ura Tiubbe” and comments on the wild variations in spelling) caught my attention because of my translation work on the memoirs of Tajik folklorist Rajab Amonov (see that review here: ). We had the opportunity to spend two nights there in 2010, but I have run across few accounts from 19th-century travelers to that city. Christie describes the town’s situation on a mountain slope, the ruins of the fort, and the winding streets of the bazaars. I was intrigued by her report of encountering an “agent” for Singer sewing machines in this rather off-the-beaten-path location (pp. 197-199).
A valuable companion to Olufsen’s personal works is the two-volume Exploring Central Asia, by Esther Fihl (University of Washington, 2010). Partially a commentary on Olufsen’s travels, the work is largely a photographic tour of the museum artifacts Olufsen brought back to Denmark (see Olaf Olufsen Part I for more about the mission). A text box on page 140 (Vol. 1) contains an interesting account from his previously unpublished writings of how he acquired artifacts from the bazaar in Bukhara with the help of one of the emir’s men.
Exploring Central Asia contains numerous vibrant color photos of household items, clothes, shoes, ornaments, jewelry, accessories, tools, and so forth, from various regions. The captions for many of these include excerpts from Olufsen’s writings, both published and unpublished, describing their use or manner of acquisition. Fihl reports that Olufsen was instructed not to return with worn or cast off items ( p. 138). Accordingly, many of the artifacts are gorgeously decorated and in excellent condition, especially considering they are more than one hundred years old (of course, they have spent their entire lives in a museum). Thus, they may not be representative of articles of everyday use, but they at least give one an idea of some of the handicrafts in circulation at the time. Continue reading
The title page of Ole Olufsen’s book identifies him as Professor and Secretary to the Royal Danish Geographical Society. He commanded Danish expeditions to Central Asia in 1896-97 and 1898-99. His personal account of these travels, The Emir of Bokhara and His Country, is one of the more readable and detailed volumes of its kind that I have perused. (See previous posts on 19th- and early 20th-century Central Asia travelogues.)
While exhibiting the Eurocentric biases exhibited by virtually all Western travelers of his time (OK–let’s be honest–we’re all a bit biased, even in these enlightened times!), Olufsen displays extensive knowledge of the area and gives evidence of having read all the relevant literature available in his day, dating back to ancient times. He possesses an impressive command of the topography and appears to have traversed much of it, though I’m not able to weigh in on his geographical accuracy. The edition of The Emir of Bokhara that I perused (William Heinemann, 1911) claimed to include a map, but I never located one (see part II of this post for more on that). Continue reading
As a woman traveling in Central Asia in the late 19th century, Meakim was able to access the world of women, which was largely inaccessible to the predominantly male travelers of the time.
Of course, the biases of her times are evident, i.e. in her extended discussion and generalizations regarding the beauty or lack thereof possessed by Central Asian women. Meakim’s book is not, nor is it intended to be, an authoritative or comprehensive description of Central Asia, but it does represent sights and ideas that a European traveler would have encountered in the region and thus serves a purpose for those interested in the area. Continue reading
Part I of this review deals primarily with Bukhara, the counterpart to this 1993 volume by Garnet Publishing (UK).Vitaly Naumkin is identified as the series editor and Andrei G. Nedvetsky as co-compiler and archive researcher.1
I found the volume on Khiva slightly less interesting than that on Bukhara, partly because it is farther removed geographically from my personal area of interest, and partly because there are fewer photos overall (105, as compared to 163) and less commentary.
However, the circumstances under which the photographs in the first part of the Khiva album were taken provoke speculation. Russian Colonel N. Ignatieff was sent on a diplomatic mission in 1958 to sign commercial treaties with the governors of Khiva and Bukhara. A.S. Murenko was assigned to the party as photographer; he was later awarded a silver medal by the Russian geographical society for his photographs. Continue reading
The images contained in these two collections provide rare photographic portraits of life in Central Asia in the latter half of the 19th century. The introduction to each states that most of the photos had not been published prior to the release of these books by Garnet Publishing (UK) in 1993.Vitaly Naumkin is identified as the series editor and Andrei G. Nedvetsky as co-compiler and archive researcher. Continue reading
Martha Poindexter Maupin came across the Oregon Trail in 1850. Two years after the death of her husband in 1866, she bought land near the present-day town of Kellogg, about an hour southwest of Eugene, Oregon. Today her great-great-granddaughter Janet Fisher lives on the farm. A Place of Her Own is not only Martha’s story but the story of Janet’s journey of discovery as she unearths the history of her family’s land.
It is not always a heart-warming story. Martha married against her parents’ wishes. Her husband, Garrett, drank too much and abused his family. He dissuaded Martha when she filed for divorce, but he never really reformed. Fisher sensitively explores the mix of emotions that must have washed over Martha following Garrett’s accidental death, while touching briefly on struggles from her own personal life that inevitably surfaced in the course of such an undertaking. Continue reading
Susan Meller’s books on Central Asian textiles are a rare find. Even if I weren’t researching a novel set in early twentieth-century Central Asia, the wealth of brilliant photos alone would be captivating. Since I am, Meller’s coffee-table sized books provide a treasure trove of information not just on textiles but dress, trade, agriculture, ethnic groups, and the impact of Russian colonization and the Soviet Union on all of these. Continue reading