Greg Mortenson didn’t set out to be a hero. Shortly before he stumbled into a mountain village in northern Pakistan, he was wandering around on K2 trying to save his own life. Out of gratitude to the villagers who took him in following his climbing expedition gone awry, he promised to come back and build them a much-needed school.
And he did–return, that is–but his first heroic mission almost ended in disaster. I won’t supply the details, because it’s a bit of a cliff hanger as Mortenson relates the story in the book. But since Mortenson has gone on to build hundreds more schools (that’s the reason Three Cups of Tea was written), it’s safe to tell you that the school did get built, eventually, and that’s how it all got started. Continue reading
I usually am not fond of travel writing, but I found Christopher Kremmer’s work more interesting than some others of that genre that I have encountered. Kremmer’s wry wit accounts for at least part of the entertainment value of The Carpet Wars, even eliciting a few chuckles, a somewhat rare occurrence. (Don’t analyze that last statement–it isn’t meant to indicate anything except my appreciation of Kremmer’s humor.) For example, Kremmer (who does not otherwise give any indication of being particularly religious) relates an incident in which he became exceedingly frustrated with an Afghan taxi driver:
My hand was lifting, drawn up by the power of a psychotic urge to batter him, when suddenly a loud voice rent the sky above the stranded car:
‘Leave him to me!’ cried the voice of the Almighty. ‘For he is a driver and they are a stiff-necked people.’
So I heeded the word of the Lord and let him be (346). Continue reading
The Bookseller of Kabul is an outsider’s perspective on the inside world of an Afghan family. Asne Seierstad lived with a family in Kabul—a bookseller’s family—in the spring of 2002, after the fall of the Taliban in 2001. This book is not so much about her experiences as about the family she lived with. Continue reading
In our first post concerning A Thousand Splendid Suns, we discussed the story in A Thousand Splendid Suns. This time we want to consider some of the stylistic techniques that contribute to the popularity of Hosseini’s works.
Hosseini’s books are not adventure novels, but the action rarely flags. We are introduced to the main character (Mariam) and one of the central conflicts (her perceived rejection by the world) in the opening pages, and Hosseini rarely stops for sensory details or historical background. But that is not to say that Hosseini skimps on descriptions. He identifies salient points with such skill that he conjures up images and evokes character traits in a few powerful words, without slacking the pace of the plot. And rather than moving back and forth between narrative and description, he interweaves the two, so that the action only breaks off when Hosseini shifts the scene to heighten suspense. (Daniel Mason uses a similar technique in The Piano Tuner, when he relays historical background to the reader in the form of letters and articles read by the main character, so that reader and protagonist learn together.) (Warning: Plot revelations ahead) Continue reading
We read A Thousand Splendid Suns in two days while on a mini vacation. We had anticipated a grim story, and our expectations were fulfilled. But we stayed glued to the book, in part because of Hosseini’s gripping story telling and in part because, judging from the conclusion of The Kite Runner, we anticipated a glimmer of light at some point. It finally dawned, but it was a long time coming.
Due to the length of our review, we thought it best to avoid overtaxing our readers and discuss Hosseini’s latest release in two separate posts. This post is concerned primarily with the content and story of A Thousand Splendid Suns, while the next one will address stylistic matters. (Warning: plot revelations ahead.) Continue reading
Monica Whitlock’s Land Beyond the River is an informative journalistic description of the social and political developments in Tajikistan, Afghanistan, and Uzbekistan during the 20th century. We borrowed the book from the library but decided it would be worth owning because of its accounts of events difficult to find detailed in one place elsewhere, such as unrest and revolution in Bukhara in the second decade of the 20th century, the Tajik civil war and its resolution in the 1990s, and ongoing displacement of Tajiks due to war, forced migration, and other hardships. Continue reading
We frequently regret that the number of books in the world exceeds the time available for reading them. Even the count of volumes in English that we want to read is formidable, though significantly less. And, unlikely as it might seem considering their relative sparsity, we probably won’t even get around to reading all the good books in English on Central Asia. We recently discovered the four books below, each of which was, interestingly though perhaps irrelevantly, originally penned in a different language. Even though, for various reasons, we probably won’t read them anytime soon, we thought they might likewise have escaped the attention of others who share our interest in Central Asia and could profit from them. Continue reading
I must have slept through the unit on the 19th century in high school World History. Until I read Peter Hopkirk’s The Great Game: The Struggle for Empire in Central Asia, I was woefully ignorant of the events that took place in Central Asia during that era, despite having lived in Pakistan for two years after college. Continue reading
Khaled Hosseini’s A Thousand Splendid Suns went on sale yesterday (May 22). His Kite Runner was a bestseller and one of our all-time favorites (see our review, posted May 7, ’07.) We can’t wait to read his new novel, this time about women in Afghanistan.
Visit Hosseini’s site to learn more about the author and his books: Khaled Hosseini
Read an excerpt and listen to an NPR interview here: NPR interview with Khaled Hosseini
Buy a signed copy from Powell’s bookstore here: A Thousand Splendid Suns
This novel by Khaled Hosseini is among my all-time favorites, for its engaging story line, heroic characters, failure and redemption, suspense, drama … Beyond that, my experience in the Persian-speaking world (I spent two years teaching English to Afghans in Pakistan in the mid-’90s, and the two of us spent two years in the former Soviet republic of Tajikistan in the early ’00s) made this book a given on our reading list.
Much has been said elsewhere about the themes of redemption and race/Afghan culture that appear in Hosseini’s novel, so I won’t dwell on those here. This post is limited to a summary of my research findings on aspects of Persian folklore in The Kite Runner, described in “Heroism and Tale-Telling in The Kite Runner.” Those interested in the in-depth discussion can read the full paper here: Heroism and Tale-Telling in The Kite Runner Continue reading