Tag Archives: review

Infant Sleep and the Experts, Part I

Many parents have told me they found sleep deprivation to be the hardest part of new parenting. And indeed, being tired and, potentially, grouchy (and having a tired and grouchy spouse … not that I would know anything about that…but my husband might) makes every other aspect of life more challenging. The proliferation of books and articles promising to help babies sleep better is thus no surprise. We, too, have fought the sleep battle with our now six-month-old, and I have had a chance to review a few of the popular publications on the subject. Continue reading

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The Tassajara Bread Book, by Edward Espe Brown

The members of the linguistics department where my husband is pursuing his master’s degree are the most social bunch of academics I’ve ever encountered–not that I mind. Families are always welcome, and I have developed my own friends among the students and spouses. Besides that, there’s the great food…and the bread. At nearly every social and pot luck, a fresh loaf of heavenly homemade bread appears, courtesy of B’s adviser. As a bread lover and inveterate bread machine baker myself, I began to quiz E on his baking secrets.

E quickly directed me to The Tassajara Bread Book, which issues from a Buddhist monastery in San Francisco that he himself had visited while residing in the area a couple of decades ago. I obtained the 25th Anniversary Edition from the library and intend to purchase my own copy as soon as I have exhausted my renewals. This edition was published in 1995 and includes a note in the back from Ed Brown, along with a few additional recipes. Continue reading

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The Barefoot Legend, by Gena Minnix

The Barefoot Legend generated more discussion between my husband and me than anything else we have read recently. If you can read between the lines you will have guessed that this means we had differing opinions, not that we haven’t read any other thought-provoking books of late.

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The Bookseller of Kabul, by Asne Seierstad

The Bookseller of Kabul is an outsider’s perspective on the inside world of an Afghan family. Asne Seierstad lived with a family in Kabul—a bookseller’s family—in the spring of 2002, after the fall of the Taliban in 2001. This book is not so much about her experiences as about the family she lived with. Continue reading

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Mountains Beyond Mountains, by Tracy Kidder

The long waiting list for Mountains Beyond Mountains required us to wait some time before it became available at the library. But through the first few chapters, we were hard-pressed to identify the reason for the popularity of this biographical account of doctor Paul Farmer (b. 1959). Farmer struck us as arrogant and narcissistic, and we found the voice of Pulitzer Prize winner Tracy Kidder flat and journalistic. Continue reading

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A Thousand Splendid Suns, by Khaled Hosseini (post no. 2)

 

In our first post concerning A Thousand Splendid Suns, we discussed the story in A Thousand Splendid Suns. This time we want to consider some of the stylistic techniques that contribute to the popularity of Hosseini’s works.

Hosseini’s books are not adventure novels, but the action rarely flags. We are introduced to the main character (Mariam) and one of the central conflicts (her perceived rejection by the world) in the opening pages, and Hosseini rarely stops for sensory details or historical background. But that is not to say that Hosseini skimps on descriptions. He identifies salient points with such skill that he conjures up images and evokes character traits in a few powerful words, without slacking the pace of the plot. And rather than moving back and forth between narrative and description, he interweaves the two, so that the action only breaks off when Hosseini shifts the scene to heighten suspense. (Daniel Mason uses a similar technique in The Piano Tuner, when he relays historical background to the reader in the form of letters and articles read by the main character, so that reader and protagonist learn together.) (Warning: Plot revelations ahead) Continue reading

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A Thousand Splendid Suns, by Khaled Hosseini (post no. 1)

We read A Thousand Splendid Suns in two days while on a mini vacation. We had anticipated a grim story, and our expectations were fulfilled. But we stayed glued to the book, in part because of Hosseini’s gripping story telling and in part because, judging from the conclusion of The Kite Runner, we anticipated a glimmer of light at some point. It finally dawned, but it was a long time coming.

Due to the length of our review, we thought it best to avoid overtaxing our readers and discuss Hosseini’s latest release in two separate posts. This post is concerned primarily with the content and story of A Thousand Splendid Suns, while the next one will address stylistic matters. (Warning: plot revelations ahead.) Continue reading

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Land Beyond the River, by Monica Whitlock

Monica Whitlock’s Land Beyond the River is an informative journalistic description of the social and political developments in Tajikistan, Afghanistan, and Uzbekistan during the 20th century. We borrowed the book from the library but decided it would be worth owning because of its accounts of events difficult to find detailed in one place elsewhere, such as unrest and revolution in Bukhara in the second decade of the 20th century, the Tajik civil war and its resolution in the 1990s, and ongoing displacement of Tajiks due to war, forced migration, and other hardships. Continue reading

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What To Expect When You’re Expecting and The Official Lamaze Guide

Years before I became pregnant, a good friend with a one-year-old son gave me a short book titled While Waiting: The Information You Need to Know About Pregnancy, Birth, and Delivery, by George E. Verrilli and Anne Marie Mueser. My friend said, “Read this. Don’t read What To Expect When You’re Expecting. It’s probably a good book, but not for people like us.” What she meant was, not for people prone to guilt, anxiety, and performance orientation. Continue reading

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Translation from Uzbekistan–The Railway

The Railway, by Uzbek author Hamid Ismailov, is one of the few contemporary Central Asian works translated into English. Alas, it is translated from Russian rather than Uzbek. Perhaps this is a hypocritical lamentation, coming as it does from a speaker of another colonial language. After all, the author is still Uzbek, writing in Russian, and, on one level, the story is presumably the same regardless of the source language. Furthermore, some might argue that Russian is equally the mother tongue of many Uzbeks these days. For that matter, Uzbek is only one of the languages of Uzbekistan. For speakers of minority languages, Uzbek could be a second language as much as Russian.

But it does seem that a book written in Uzbek would convey more of Uzbekistan’s ethos than one written in Russian. This raises the question, though, of whether this ethos can be carried over into an English translation. Perhaps, then, the original language doesn’t matter. Or perhaps writing in Russian about a primarily Uzbek setting already constitutes a translation; translating the Russian text into English introduces yet a further degree of removal from the source material. Some theorists maintain that any writing is an act of translation–translating events or ideas into words that will convey an image, idea, or feeling to other people. If this is the case, writing in Russian just magnifies this initial act of translation. Continue reading

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