Tag Archives: 2020

Art and Pandemic in Station Eleven, by Emily St. John Mandel

Choosing an angle of approach for Emily St. John Mandel’s novels is like saying, “I want to learn to dance.”

What kind of dance? Ballet? Ballroom? Jazz? Hip-hop?

Folk, you say.

Fine. Irish clogging? Korean fan dance? Indian kathakali? American square dance?

One could examine Mandel’s novels with regard to pandemic, apocalypse, motherhood, biblical invocations, ethics, the nature of existence, regret and culpability, not to mention genre. Her three most well-known works, Station Eleven, The Glass Hotel, and Sea of Tranquility, are not sufficiently interrelated to constitute a series. But familiar characters turn up in each, and knowing their back story augments recurring themes.

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