As an inveterate letter writer (my e-mails all too often turn into epistles), I greeted the prospect of this collection from the Rabbit Room Press with great excitement. Not least because it promised a better acquaintance with the elder brother usually portrayed as living in C.S. Lewis’s long shadow.
And indeed, I did learn a great deal about the Major, who also served in WWI. For one, Warren Lewis was an author in his own rite having written a series of books on 17th-century France. An admittedly narrow niche, but Biggs, confessing she had expected to find the subject dry, wrote that Lewis’s treatment proved “excellent reading.”
Daniel Nayeri’s Everything Sad Is Untrue enthralled me when, early in 2021, I happened upon his meandering boyhood memoir of faith and family history. (Click here for that review.) Personal connections with the Persian speaking world heightened my interest in his account of his mother’s conversion to Christianity and their subsequent flight to the West. But more than regional interest engaged me.
Nayeri’s prose disclosed hope and humor in the grimmest of circumstances. My husband had just been diagnosed with cancer, and the pandemic was still in full force. Upon reading the final page of Everything Sad—the same day I started it—I went searching for more of Nayer’s work.
But aside from a few early reader chapter books, I found only the 2011 edition of Straw House, Wood House, Brick House, Blow. Alas for me, I dismissed the collection of four novellas as unpromising, based on the spurious statistic of Amazon reviews (a mere twenty-five). But when Candlewick re-released the title in 2022 I decided it might merit further investigation. It did—and does.