Tag Archives: twentieth century

Books for World Refugee Day: Arvo Pärt and Uri Shulevitz

June 20 was designated World Refugee Day (WRD) in 2001, in recognition of the fiftieth anniversary of a United Nations convention on refugees organized in 1951. The intent of the original conference was to define who qualifies as a refugee and to delineate the rights of asylum seekers. WRD is an opportunity to raise awareness of the needs of displaced person both worldwide and in our communities.

Few people leave their homes, extended families, and the place that represents their cultural and linguistic heritage unless compelled by poverty or persecution. As citizens of an essentially prosperous country, we have the opportunity to touch the world by assisting its representatives who live among us. A number of well-established organizations in the U.S. coordinate services to refugees and opportunities for volunteers. Here in Eugene, Oregon, the Refugee Resettlement Coalition of Lane County partners with Catholic Community Services to support refugees and immigrants. (Click here for more information.)

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Garden of the Brave in War, by Terence O’Donnell

If a sojourn in Iran were not already near the top of my wish list, O’Donnell’s 1980 memoir would have put it there. But his expressed desire to preserve “certain features of the traditional life” speaks to the fact that a twenty-first century visit would reveal a far different outlook than the one inscribed here. Though the era in question is pre-revolutionary, O’Donnell believed the onward march of technology (“the transistor radio and the motorbike”), more than the Islamic revolution, would change the cultural landscape. No doubt he is right. What did he know then of the internet and cell phones?

O’Donnell’s account is formed from the journal he kept while farming for nearly a decade in 1960s southwest Iran. That such a life was at one time possible for an American (a fellow Oregonian, no less) is almost incomprehensible now. O’Donnell writes beguilingly of the workings of his farm and orchard, his travels through the countryside, his interactions (often patronizing) with his man-of-all-work Mohammad Ali, and the various institutions and individuals that populated the region–doctors, princes, landowners, jesters.

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I Capture the Castle, by Dodie Smith

I Capture the Castle (1948) came to my attention as a novel recommended for aspiring writers. The Austenesque plot features a quirky, down-on-their-luck British family in the 1930s. A thwarted novelist father languishes at the helm while the oldest daughter pursues a loveless marriage to save the family fortunes. Her intended is the wealthy young heir of a nearby estate.

The heir has recently returned from America with his brother, who is enamored with the American West. Thus the narrative straddles not only the 19th and 20th centuries but the Atlantic Ocean, flanked by British venerability on one side and American innovation on the other.

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The Black Book, by Orhan Pamuk

My husband and I read Orhan Pamuk’s Snow together some twentyyears ago. In my memory we started it during a 2003 visit to Turkey, which coincided with a late February snowfall. Clearly this is the power of suggestion at work, as it recently came to my attention that the English translation was published in 2004.

Whatever our setting or the weather, I found the book’sethereal narrative almost as enigmatic as the facts of publication now reveal my memory of its reading to be. But a brief return to Istanbul last year renewed my interest in Pamuk’s works despite their, to me, elusive quality. An enchanting three-day sojourn in Istanbul left me wanting to read something that would reflect the ethos of our travels. A few days later I stumbled upon The Black Book in a Dushanbe bookstore, one of only a few titles available in English.

It proved to be even more perfect choice than I realized at the time. Billed as a mystery, I naively expected something along the lines of conventional detective fiction. Granted, the protagonist, Galip, is the loving husband of the missing person rather than a dispassionate investigator. But the farther I read the less I could make of Galip’s relentless criss-crossing of Istanbul in his search for his wife.

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Dear Mrs. Bird, by AJ Pearce

I don’t recall where or what I first heard about this book, but as the last in a long line of Mrs. Birds and the author of an epistolary work in progress, I had to investigate. Likewise elusive is the memory of any book that so utterly delighted me with its unadulterated charm, where goodnatured families, kindhearted friends, and generous stangers prevail. Unabashedly optimistic, Dear Mrs. Bird labors under no grim modernist necessity of adhering to stark realism.

Well, yes, there is a war going on in 1940 London, where Emmeline Lake is a volunteer in the Auxiliary Fire Service. Throughout the first half of the book, lulled into near complacency by Pearce’s lilting wordcraft, her mastery (as near as I can tell) of WWII-era British diction, and Emmy’s relentless good cheer, I felt an occasional twinge of guilt. Should I really be enjoying this so much? After all, people are losing lives and livelihoods right and left in the Luftwaffe’s nightly bombing raids. Are Emma, AJ, and I all in a state of denial?

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The Blue Castle, by L.M. Montgomery

As a teen I read and re-read the Anne of Green Gables series, puzzled over the brooding Emily of New Moon trilogy, and rejoiced upon discovering Along the Shore and Chronicles of Avonlea–more L.M. Montgomery to be read. When Wonderworks released the definitive three-hour Anne movies in the 1980s, my high school friends and I reveled in Anne teas and Anne sleepovers, swooning over Gilbert and worshiping at the feet of Meghan Follows.

How, in all this Avonlea infatuation, I never stumbled across The Blue Castle is a mystery as deep as Barry’s pond–admittedly shallow, as bodies of water go. Likely my fixation limited my vision to works concerning she of Green Gables. But in the end I came to Montgomery’s 1926 novel (published five years after the last–known–Anne installment) at just the right time. My fifty-first January proved an ideal season for The Blue Castle’s mix of melancholy, mystery, unexpected romance, and reverence for nature in all its seasons.

At twenty-nine, Valancy Stirling still lives with her mother and the aptly named Cousin Stickles. Valancy holds to the unshakable belief that, not only is she unloved by any of her tribe of dour relations (mother included), she has never truly lived.

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Vinegar Girl, by Anne Tyler

Having heard Anne Tyler’s name for years, reading a selection from her prolific and successful oeuvre seemed overdue. Vinegar Girl, it turns out, was an excellent, not to mention entertaining, place to start.

Despite my research prior to choosing a title, it somehow escaped my notice–or I forgot–that Vinegar Girl is a modern adaptation of Shakespeare’s “The Taming of the Shrew.” The choice seemed serendipitous, given my reading earlier this year of a modern rewrite of Jane Austen’s Sense and Sensibility (read the review of Jane of Austin here).

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The Neverending Story, by Michael Ende

The movie version of The Neverending Story was first introduced to me in the late 1980s by Anja, the German exchange student who lived with us during my junior year in high school. I didn’t realize at the time–though I should have–that the book behind the movie was originally written in German. And it wasn’t until my South African mom friend gave copies of the book to our mother-daughter book club this past Christmas that I acquainted myself with Ende’s now-classic 1979 work.

Confession: I didn’t love this book, though not for any easily identifiable reason. I didn’t find it objectionable. I simply suspect that, like Geoge MacDonald’s Phantastes, the somewhat meandering and seemingly haphazard nature of the narrative (particularly in part II) didn’t hold my interest.

However, I did love the discussion Ende’s novel engendered in our mother-daughter book club. The layered symbolism, moral dilemmas, and sometimes puzzling plot provide much to ponder, question, and debate. Given that The Neverending Story originated in the land of philosophers and fairytales, its success on these points isn’t too surprising.

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A Gentleman in Moscow, by Amor Towles

Among contemporary works of literature, Amor Towles’s A Gentleman in Moscow (2016) represents a rare combination of engaging storyline, appealing characters, master craftsmanship, and meditation on uncommon virtues. Five years after the Bolshevik Revolution, Count Alexander Rostov is sentenced to lifelong house arrest in a luxury hotel. His crime is writing a few lines of verse that the regime takes exception to.

The premise is intriguing though wholly fictional. A Gentleman is not so much a historical novel as a parable of modernism. While the reader waits for the blows of Soviet brutality to fall upon the hero, Towles focuses his attention on subtler evils.

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Pilgrim’s Inn, by Elizabeth Goudge

My husband and I have been reading out loud to one another since shortly after we got married more than twenty years ago. It all started on Cyprus with A Thousand and One Nights. Sometimes we dip into several books before landing on one we both enjoy. A year ago my husband agreed to sample Pilgrim’s Inn with me. A cousin had given it to me for Christmas, along with its prequel, The Bird in the Tree.

We were both surprised when Pilgrim’s Inn, which many would consider women’s lit, captured my husband’s interest as well as mine. What we didn’t know when we started was that it would turn out to be the perfect read not only for late winter, but for other tough and uncertain times (see note below).

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